Selected texts by Alexander Adams (print format only)
* = notable article
2004 “Cause for Concern”, Printmaking Today, journal, vol. 13, no. 2, Summer 2004, London; June
2005 “The Painter-Printmaker is Not Allowed”, The Jackdaw, newsletter, no. 47, London; April
2006* “Melancholy of the Modern”, The Jackdaw, no. 60, ; July/August
2006* “The Art of Entropy”, The Jackdaw, no. 61, London; September
2006 letter (editing of Rothko’s writing), The Jackdaw, newsletter, no. 62, London; October
2006* “The Fine Arts in Wales”, Cambria, magazine, vol. 8, no. 4, October–November, Carmarthen, Wales; October
2007 review, IQ, magazine, no. 5, Spring 2007, Bristol; February
2007 “Traces of Life”, The Jackdaw, no. 69, p. 22; June
2007 “Masquerade: The Work of James Ensor”, The Jackdaw, no. 71, p. 11; September
2007 “Lost in Bulgaria”, The Jackdaw, newsletter, no. 73, p. 17; November
2008* “Pre-emptive Censorship” (Hans Bellmer), The Jackdaw, no. 75, p. 12; February
2008 “Piranesi”, Print Quarterly, journal, volume XXV number 1, London; March
2008 review, IQ, no.7, spring 2008; March
2008 “Creepy Kinder”, Garageland, magazine, issue six, London; April
2008 “Trevor Allen, 1939-2008”, The Jackdaw, no. 78, pp. 24-5; May
2008 “Trevor Allen”, Printmaking Today, vol. 17, no. 2, Summer; June
2008 “Gustav Klimt: Painting, Design and Modern Life in Vienna 1900”, The Jackdaw, no. 80, pp. 20-1; July
2008 “The Artist’s Larder” (sketchbooks), The Jackdaw, no. 81, p. 15; September
2008 “Solitary figures in a landscape” (Sean Henry), The Art Newspaper, London, Vol. XVII, no. 194; September
2008 “Issues in Curating Contemporary Art and Performance” IQ; September
2008 “Size Matters” (monumental prints), The Art Newspaper, Vol. XVII, no. 195; October
2008 “Dark Marks” (Rothko), The Jackdaw, no. 82, p.6; November
2008 “Matthias Grünewald: Die Zeichnungen/Drawings/Dessins”, The Art Book, journal, volume 15 issue 4, London; November
2008 “Cabinet of Curiosities”, Printmaking Today, vol. 17, no. 4; December
2008 “The Monotype”, Printmaking Today, journal, vol. 17, no. 4; December
2009 “Giacometti the Egyptian”, The Jackdaw, no. 83, p. 11; January
2009 “Lights, Canvas, Action!”, The Art Book, vol. 16, no. 1; February
2009 “After Kafka”, The Warwick Review, vol. III, no. 1, Warwick; March
2009* “Lucian Freud, Accidental Mannerist”, The Jackdaw, no. 84, pp. 8-9; March
2009 interview with Ian Davenport, Printmaking Today, vol. 16, no. 1; March
2009 “Richard Serra: Druckgrafik/Prints/Estampes”, Printmaking Today, vol. 16, no. 1; March
2009 “Fade to Grisaille” (Rogier van der Weyden), The Jackdaw, no. 85, pp. 12-3; May
2009 “Francis Bacon” , The Art Book, vol.16, no. 2, London; May
2009 “Ad Reinhardt”, The Art Book, vol.16, no. 2, London; May
2009 “Kafka: The Office Writings”, The Warwick Review, vol. III, no. 2; June
2009 “Bouguereau of the Post-Modern” (Glenn Brown), The Jackdaw, no. 86, pp. 12-3; July
2009 “Berlin Diary” & “Cyril Power Linocuts”, Printmaking Today, vol. 18, no. 2; June
2009* “Surrealism in all its Weird Glory”, The Financial Times, (online edition), London; 9 July
2009 “Magritte. La Periode Vache”, The Art Book, vol. 16, no. 3; August
2009 “Stolen”, The Art Book, vol. 16, no. 3; August
2009 “Lost in Brussels” (Musée Magritte), The Jackdaw, no.87, pp. 10-1; September
2009 letter (glicée prints), The Jackdaw, no.87, p. 21; September
2009 “The secular high priest of realist mystical painting” (Gerhard Richter), The Art Newspaper, vol. XVIII no. 205; September
2009 letters, Funds Europe, London; October
2009 “An artist who outlived himself?” (James Ensor), The Art Newspaper, vol. XVIII no. 207; November
2009 “The Polymorphous Perverse”, The Jackdaw, no. 88, p. 9; November
2009 “Basil Beattie and Ian McKeever”, The Burlington Magazine, no. 1280 vol. CLI, London; November
2009* “The Conjuror Concealed by his Assistants” (Gerhard Richter), The Art Newspaper, vol. XVIII no. 208; December
2010 “The Painter of Ideas”, The Jackdaw, no. 89, p. 17; January
2010 interview with Ian McKeever, The Art Book, vol. 17, no. 1; February
2010 “Saint Gerhard” (Gerhard Richter), The Art Book, vol. 17, no. 1; February
2010 “Picasso Lithographs”, The Art Book, vol. 17, no. 1; February
2010* “Whatever Happened to the Sutherland Bequest?”, The Jackdaw, no. 90, pp. 10-1; March
2010 “The Art of the Printmaker 1500-1860”, Printmaking Today, vol. 19 no. 1, Spring; April
2010 “Black Flame” (Arshile Gorky, Van Doesburg, Paul Nash), The Jackdaw, no. 91, pp. 10-5, May
2010 “Ingres Unveiled”, The Art Book, vol. 17 issue 2; May
2010 “Ian McKeever” (review), The Art Book, vol. 17 issue 2; May
2010 “The Prints of Anni Albers”, Printmaking Today, ; May
2010 “Sphinx: The Life and Art of Leonor Fini”, The Burlington Magazine, no. 1286, vol. CLII; May
2010 “Monumental Prints in the Age of Louis XIV”, The Art Newspaper, no. 214; June
2010 “Spread the word” (Varna Print Biennale), Printmaking Today, vol. 19 no. 2, Summer 2010, July
2010 “Christen Købke”, “Anthony Caro” & “Angela de la Cruz: Art Prostrate and Pitiful”, The Jackdaw, no. 92 pp. 14-5; May
2010 “Hans Bellmer and Louise Bourgeois”, The Burlington Magazine, no. 1288, vol. CLII; July
2010 “John Armstrong”, The Art Newspaper, no. 215, July/August 2010
2010 “An Avaricious Eye: Adolph Menzel” & statement, The Jackdaw, no. 93, p. 15; September
2010 “Bridget Riley”, Printmaking Today, vol. 19 no. 3, Autumn; September
2010 “Paint and Ink: Artists’ Letters”, The Art Book, November
2010 “Anthony Caro”, The Art Book, November 2010
2010 “Vermeer: Early, Late and in Fractions”, The Jackdaw, no. 94, pp. 12-4; November
2010 “Larkin’s Letters to Monica”, The Warwick Review, vol. IV, no. 4; December
2010 “What Dreams May Come” (Paul Delvaux), Apollo, London; December
2010 “Josef Albers”, Printmaking Today; December
2010 “Senefelder Restored”, Printmaking Today; December
2010* “The Belgian Blake” (Musées Wiertz and Meunier), The Jackdaw, no. 95, pp. 14-5; January
2011 letter (Tom Lubbock), The Independent, London; 11 January
2011* “The new art critics should mind their language”, The Art Newspaper, no. 222; February
2011 “Tom Lubbock”, The Jackdaw, no. 96; March
2011* “Paul Delvaux, Radical Classicist”, The Jackdaw, no. 96, p. 18-9; March
2011 “Tonalism”, The Art Newspaper, Vol. XX, no. 222; March
2011 “At heart, a graphic artist” (Max Beckmann), The Art Newspaper; Vol. XX, no. 223; April
2011 “The Sutherland Bequest”, The Jackdaw, no. 97, p. 16; May
2011 “Jenny Saville and the Theatre of Self-Importance”, The Jackdaw, no. 97, p. 12; May
2011 “Berlin Donation”, The Jackdaw, no. 97, p.28; May
2011* “Why Printed Art Reviews Matter despite the Rise of the Internet”, Artwatch UK Journal, London; May
2011 “Postcard from Berlin”, Art of England, magazine, issue 82, Stafford, pp. 66-7; June
2011 “The Painter-Priest” (Malevich), The Art Newspaper; May
2011 “How Magritte Made Ends Meet”, The Art Newspaper, Vol. XX, no. 225; June
2011 “Konrad Witz”, The Art Newspaper, Vol. XX, no. 225; June
2011 “Art for Sale”, The Art Newspaper; Vol. XX, no. 225; June
2011 “The Relics of St Joan” (Miró), The Jackdaw, no. 98, pp. 10-1; July
2011 “The Public Catalogue Foundation”, The Jackdaw, no. 98, p. 11; July
2011 “Dresden’s Print Story” (Dresdner Kupferstich-Kabinett), Printmaking Today; vol. 20, no. 2, Autumn; September
2011 “Lost in Liverpool” (Post-Impressionism and Magritte), The Jackdaw, no. 99, pp. 18-9; September
2011 “Norwegian and Swiss Landscape Paintings”, The Jackdaw, no. 99, p. 19; September
2011 “Speaking for Vasari”, The Jackdaw, no. 99, p. 32; September
2011 “Notable Belgians” (prints in Brussels), Printmaking Today, vol. 20, no. 4, Winter; December
2011 “Lost in New York” (De Kooning & Ingres), The Jackdaw, no. 100, pp. 12-3; December
2011 letter, The Jackdaw, no. 100, p. 25; December
2011* “Lee Krasner”, The Art Newspaper, vol. XX, no. 230; December
2011 “Philip Guston”, The Art Newspaper, vol. XX, no. 230; December
2011 “Drawn to Line” (Picasso), Apollo, vol. CLXXIV, no. 593; December
2012 “A Living Art” (Johann Zoffany), The Jackdaw, no. 101, pp. 12-3; January
2012 “Crystal Bridges Museum of American Art”, The Jackdaw, no. 101; January
2012* “The Richters Richter Didn’t Want You to See”, The Art Newspaper, vol. XX no. 231; January
2012 “Collecting Artist’s Prints”, The Art Investor, no. 1, London; February
2012 “Rebel on the Margins” (Edward Burra), The Art Newspaper, vol. XX no. 232; February
2012 “David Jones”, The British Art Journal, London, vol. XII, no. 3; February
2012* “David Lynch: Lithos”, Print Quarterly, vol. XXIX no. 1; March
2012 “Ronald S Lauder Collection, Neue Galerie, New York”, The Jackdaw, no. 102, pp. 16-7; March
2012 “A Disciplined Diet of Colour” (Josef Albers), Apollo, vol. CLXXV, no. 597, pp. 90-1; April
2012 “Lost in Paris” (Musées Bourdelle, Maillol and Rodin), The Jackdaw, no. 103, pp. 18-9; May
2012 letter (British abstract painting at the Tate Gallery), The Jackdaw, no. 103, p. 27; May
2012 “Genius Redefined” (Van Gogh), Apollo, vol. CLXXV, no. 598, pp. 100-1; May
2012 “Musée Gravelines”, Printmaking Today, Summer, Vol. 21, No. 2; June
2012 “Lost in Vienna” (Klimt, Schiele), The Jackdaw, no. 104, pp. 16-7; July
2012 “Sheer Sensuality” (Klimt), Apollo, vol. CLXXVI, no. 600, pp. 98-9; July
2012 “The Invention of Colour” (Heinrich Kuehn), The Art Newspaper, vol. XXI, no. 238; September
2012 “A Million on Paper” (Dalí fake prints & Arp), The Jackdaw, no. 105, pp. 10-1; September
2012 “More Misses than Hits” (Sam Francis), The Art Newspaper, vol. XXII, no. 239; October
2012 “Earlier British Paintings at the Walker Art Gallery”, The British Art Journal, vol. XIII, no. 2, Autumn 2012; October
2012 letter (vandalism of Rothko painting), The Independent, 11 October 2012
2012 “Malevich Restorations Questioned”, ArtWatch UK Journal, Winter, No. 28, pp. 19-20; December
2012* “Kitaj Redux”, The Jackdaw, no. 106, pp. 28-9; November
2012 “Deaccessioning in the USA”, The Jackdaw, no. 106; November
2012 “Towards Realism” (Van Eyck), Apollo, Vol. CLXXVI, No. 604; December
2012 “Practical Advice for Artists: Part 1”, Artists & Illustrators, magazine, London, no. 230; December
2012 “Meandering Journey” (F.E. McWilliam), The Art Newspaper, vol. XXII, no. 241; December
2012 “Beth Van Hoesen”, Printmaking Today, Winter, Vol. 21 No. 4; December
2013 “The Whole Dalí”, Apollo, Vol. CLXXVI, No. 606; February
2013 “Practical Advice for Artists: Part 2”, Artists & Illustrators, no. 231; January
2013 “The Third Man” (Raphael), The Jackdaw, no. 107, pp.16-7; January
2013 “Keith Vaughan”, The Jackdaw, no. 107, p. 7; January
2013 “Practical Advice for Artists: Part 3”, Artists & Illustrators, no. 232; February
2013 “Vasari’s fingerprints on art”, The Art Newspaper, vol. XXII, no. 243; February
2013 Paul Cézanne, The Jackdaw, no. 108, p. 17; March
2013 “Flame and Flower” (Delacroix), The Jackdaw, no. 108, p.18-9; March
2013* “All Smoke and Mirrors?” (Attribution and Value), The Art Newspaper, vol. XXII, no. 244; March
2013 “Realism and Beyond” (Prunella Clough), The Art Newspaper; vol. XXII, no. 244; March
2013 “The Irresistible Lure of the Human Figure” (Atul Vohora), The Art Newspaper, vol. XXII, no. 244; March
2013 Anya Gallaccio, The British Art Journal, vo. XIII no. 3, Winter 2012/2013; April
2013* “Athletic Congress…in Belgium” (Musée Rops and erotic art), The Jackdaw, no. 109, pp. 13-5; May
2013 letter (Rothko vandalism), The Jackdaw, no. 109, p.28; May
2013 “Van Gogh Rejuvenated”, Apollo, ; June
2013 watercolour sketchbooks, Artists & Illustrators, issue 328; July
2013 Gerhard Richter, The Art Newspaper, New York & Hong Kong Art Basel editions; July
2013 “Lost in Amsterdam” (Rijksmuseum and Stedelijk Museum), The Jackdaw, no. 110, pp.12-4; July
2013 “Van Gogh Analysed”, The Jackdaw, no. 110, p.51; July
2013 Titian, The Jackdaw, no. 110, p. 27; July
2013 Yale Center for British Art, Printmaking Today, Summer issue
2013 “Great Scott” (William Scott catalogue raisonné), The Art Newspaper, Vol. XXIII, no. 250; October
2013 Robert Motherwell catalogue raisonné, The Art Newspaper, ; November
2013 Luc Tuymans, Print Quarterly, vol. XXX, no. 4;
2013 Giorgio Morandi and Patrick Caulfield, The Jackdaw, no. 111, pp. 10-12; September
2013 “Lost in Denmark”, The Jackdaw, no. 112, pp. 14-5; November
2013 “Minister for Disturbance” (Asger Jorn), The Jackdaw, no. 112, pp. 16-7; November
2013 Basil Beattie, The British Art Journal, vol. XIV no. 2, Autumn 2013; November
2014 Paul Klee, The Jackdaw, no. 113, pp.8-9; January
2014 “Painted photographs and evolutionary Richter” (Gerhard Richter and Photorealism), The Art Newspaper, vol. XXIII no. 253; January
2014 Günther Förg, The Art Newspaper, vol. XXIII no. 253; January
2014 Brian Rice (catalogue raisonné of prints), Printmaking Today, Spring issue; March
2014 Giorgio de Chirico, The Jackdaw, no. 114, pp. 16-8; March
2014 Basil Beattie, The Jackdaw, no. 114, pp. 16-8; March
2014 Brian Rice (paintings), The Jackdaw, no. 114, pp. 16-8; March
2014* “Censoring Balthus was Shameful” (pre-emptive censorship), The Art Newspaper, ; March
2014 Brian Horton, The Art Newspaper; ; March
2014 Letters of William S. Burroughs, Beatscene, Coventry; March
2014 “When Diversity is a Disguise of Conformity”, The Art Newspaper, Hong Kong Art Fair edition; May
2014 letter, The Jackdaw, no. 115, p. 33; May
2014 “Heart of Darkness” (Eugène Géricault), The Jackdaw, no. 115, pp. 20-2; May
2014 “Zurbarán: Art and Morality”, The Jackdaw, no. 115, pp. 22-3; May
2014 Andreas Schlueter, Apollo, ; May
2014 “Against Exceptionalism”, The Jackdaw, no. 116, p. 10-1; July
2014 “Love on an Iron Cross” (Marsden Hartley), The Jackdaw, no. 116, p. 15; July
2014 “Museums in Brussels”, The Jackdaw, no. 116; July
2014 Paul Delvaux, Apollo, ; July
2014 Giorgio de Chirico, The Art Newspaper, ; September
2014 “Flesh Crystallised in Stone” (Carpeaux), The Jackdaw, no. 117, p. 12; September
2014 “What is Art?” (Tolstoy), The Jackdaw, no. 117, p. 17; September
2014 Richard Wilson, The Jackdaw, no. 117; September
2014 “Lost in Hamburg” (Max Beckmann), The Jackdaw, no. 118, pp. 12-3; November
2014 “Struggle Over de Chirico’s Difficult Legacy”, The Jackdaw, no. 118, pp. 13-4; November
2014 “Renoir in Switzerland”, The Jackdaw, no. 118; November
2014 letter, The Jackdaw, no. 118; November
2014 Constant Meunier, The Burlington Magazine, ; November
2014* “Balthus: Art and Morality”, The Art Newspaper, ;
2014* “Conservation in the Age of Conceptual Art”, ArtWatch UK Journal, no. 29, p.14-5; Spring
2014 Matisse cut-outs, The Art Newspaper, ;
2014 Hans Purrmann catalogue raisonné, The Art Newspaper, ;
2014 Lynn Chadwick catalogue raisonné, The British Art Journal, vol. XV no. 2; pp. 129-130; December
2014 Alan Reynolds, The British Art Journal, vol. XV no. 2; pp. 132-3; December
2014 Darren Almond, The British Art Journal, vol. XV no. 2; p. 131; December
2014 Paul Nash, The British Art Journal, vol. XV no. 2; p. 127-8; December
2015 “Muscle Memory” (Egon Schiele), The Jackdaw, no. 119, p. 10-1; January
2015 JCC Dahl and CD Friedrich, The Jackdaw, no. 119, p. 12; January
2015 “All Flesh is Grass” (Rubens, Paul Delvaux and Berlinde de Bruyckere), The Jackdaw, no. 120, p. 12-5; March
2015 “Complex talent needs greater understanding” (Asger Jorn), The Art Newspaper, ; April
2015 no. 120 The Jackdaw
2015 “Leonora Carrington: Tate Liverpool, 6 March–31 May 2015”, The British Art Journal Volume XV, no. 3 Spring 2015, p. 126
2015 “Two Pictures in Detail” (James Ensor and Pieter Bruegel), The Jackdaw, no. 121, pp. 20-1; May/June
2015 “Our God is Light” (Pierre Bonnard), The Jackdaw, no. 121, pp.15-6; May/June
2015* “Islamism and the Arts”, The Jackdaw, no. 121, pp. 24-7; May/June
2015 “Moreau, the mystic of Montmartre”, The Art Newspaper, vol. XXIV no. 268, pp. 74; May
2015 “The art of the teacher” (Hans Hofmann catalogue raisonné), The Art Newspaper, vol. XXIV no. 269, p. 100; June
2015 Terry Winters print catalogue raisonné, Printmaking Today, vol. 24, no. 2, Summer 2015, pp. 40-1; June
2015 Ian Davenport interview, Printmaking Today, vol. 24, no. 2, Summer, pp. 6-7; June
2015 “The Naked and the Dead” (Francis Bacon), The Jackdaw, no. 122, pp. 36-7; July/August
2015 Julian Barnes, The Jackdaw, no. 122, p. 39; July/August
2015 “Portrait of the jeering artist as a young gent” (Francis Picabia catalogue raisonné vol. 1), The Art Newspaper, Vol. XXIV, no. 270, p. 54; July/August
2015 James Turrell, Print Quarterly, vol. XXXII, no. 3, pp. 344-5; September
2015 Leeds Art School, The British Art Journal, vol. XVI, no. 2, Autumn 2015, p. 127; September
2015 “Out of the Web” (Jackson Pollock), The Jackdaw, no. 123, pp. 27-8; September/October
2015 Max Beckmann, The Jackdaw, no. 123, p. 21; September/October
2015 “Prud’hon’s Drawing Technique”, The Jackdaw, no. 123, p. 28; September
2015 Graham Sutherland, The British Art Journal, vol. XVI no. 2, Autumn 2015, pp. 125-6; September
2015 Philip Guston print catalogue raisonné, Printmaking Today, Vol. 24, No. 3, Autumn 2015, pp. 40-1; September
2015 “Pollock Restored, Re-restored”, ArtWatch UK Journal, no. 30, Autumn 2015, pp.
18-9; November
2015 “When fame trumped political engagement” (Gerhard Richter catalogue raisonné vol. 4), The Art Newspaper, no. 273, p.68; November
2015 letter, The Independent, October/November
2015 “Precious Metal” (silverpoints), The Jackdaw, no. 124, pp. 20-2; November/December
2015 “Lost in Eindhoven”, The Jackdaw, no. 124, p. 22; November/December
2015 “Munch : Van Gogh”, The Burlington Magazine, no. 1353 vol. CLVII, pp. 878-9; December
2015 “Treasures on Trust” (Städel Museum prints), Printmaking Today, vol. 24 no. 4, Winter 2015, pp. 32 ; December
2016 “A Human and Fluctuating Core” (Alberto Giacometti), The Jackdaw, no. 125,
p. 22-4; January/February
2016 “Nervia/École de Saint-Martin-Laethem”, The Jackdaw, no. 125, p. 23-4; January/February
2016 “Karel Appel and Jean Dubuffet”, The Jackdaw, no. 125, p. 24; January/February
2016 “Francis Bacon Late Paintings”, The British Art Journal, vol. XVI, no. 3, winter 2015/6, p. 124-5; January
2016 Frank Auerbach, The British Art Journal, vol. XVI, no. 3, winter 2015/6, pp. 125-6; January
2016 David Inshaw, The British Art Journal, vol. XVI, no. 3, winter 2015/6, pp. 126-7; January
2016 “More than dust on the surface” (Liotard and pastel art), The Art Newspaper, vol. XXV, no. 276, p.56; February
2016 “Welsh landscape” (dictionary of artists in Wales), The Art Newspaper, no. 277, p. 65; March
2016 “Brimstone and Birches” (Eugene Delacroix & Nikolai Astrup), The Jackdaw, no. 126, p.14-6; March
2016 René Magritte, The Jackdaw, no. 126, p. 16; March.
2016 letter, The Jackdaw, no. 126, p. 23; March.
2016 “History of Revolution” (Steendrukmuseum Eindhoven), Printmaking Today, vol. 25 no. 1, Spring 2016, p. 32; April
2016 “Earthly Delights” (Hieronymous Bosch exhibition and catalogue raisonné), The Jackdaw, no. 127, pp. 12-8; May
2016 “A sickly flower of Decadent London” (Aubrey Beardsley catalogue raisonné), The Art Newspaper, vol. XXV, no. 280, p. 61; June
2016 Lord Frederic Leighton, The British Art Journal, vol. XVII, no. 1, Spring 2016, p. 145; June
2016 “All Together Now” (Francis Bacon catalogue raisonné), The Art Newspaper, no. 281, p. 45; July
2016 “The Visitors’ Book”, The Art Newspaper, no. 281, p. 45; July
2016 “Degas monotypes”, The Burlington Magazine, vol. CLVIII, no. 1360, pp. 589-90; July
2016 “The Visitors’ Book”, The Jackdaw, no. 128, p. 12; July
2016 “Lost in Philadelphia and New York” (Barnes Collection, Kircher), The Jackdaw, no. 128, pp. 16-8; July
2016 Philip Guston, The Jackdaw, no. 128, p. 20; June
2016 “Despair, pleasure and pride” (Eva Hesse diaries), The Art Newspaper, Vol. XXV, no. 282, p. 62; September
2016 “A Temple to Knowledge” (New York Public Library print collection), Printmaking Today, Vol. 25 no. 3, p. 32, Autumn; September
2016 Peter Lanyon, The British Art Journal, Vol. XVII no. 2, Autumn, p. 79; October
2016 Ivon Hitchens, The British Art Journal, Vol. XVII no. 2, Autumn, p. 78; October
2016 Stanley Spencer, The British Art Journal, Vol. XVII no. 2, Autumn, pp. 83-4; October
2016 Lucian Freud’s sketchbooks, The British Art Journal, Vol. XVII no. 2, Autumn, p. 88; October
2016 Francis Picabia, The Jackdaw, no. 129, p. 14; September/October
2016 Carlo Carrà, The Jackdaw, no. 129, p. 18-9; September/October
2016 “Brief Parnassus” (Abstract Expressionism), The Jackdaw, no. 130, pp. 11-2; November/December
2016 “Lost in France”, The Jackdaw, no. 130, p. 12; November/December
2016 “The changeable Californian” (Richard Diebenkorn catalogue raisonné), The Art Newspaper, vol. XXVI no. 285, section 2, p. 14; December
2016 “Anselm Kiefer: The Woodcuts”, Printmaking Today, Vol. 25, no. 4, pp. 40-1, Winter; December
2017 “Daubigny Reappraised”, The Jackdaw, no. 131, p. 16; January
2017 “Picasso’s Portraits”, The Jackdaw, no. 131, pp. 16-7; January
2017* “Francesca Woodman: American Angel”, The Jackdaw, no. 131, pp. 17-8; January
2017 “Roland Penrose: The Life of a Surrealist”, The Art Newspaper, vol. XXVI, no. 286, section 2, p. 26; January
2017 R.B. Kitaj prints, Print Quarterly, vol. XXXIV, no. 1, pp. 113-7 ; January
2017 Andrea Büttner, Print Quarterly, vol. XXXIV, no. 1, p. 96 (unsigned); January
2017 “The grandfather of Post-Modernism” (Francis Picabia catalogue raisonné vol. 2), The Art Newspaper, vol. XXVI no. 288, p.30 (review section); March
2017 “Flaming June, Leighton House”, The Jackdaw, no. 132, pp. 18-9; March
2017 “The 17-18 War” (American Art of the First World War), The Jackdaw, no. 132, p. 12; March
2017 René Magritte, The Burlington Magazine, no. 1368 vol. CLIX, p. 227; March
2017* Francis Bacon, The British Art Journal, vol. XVII no. 3, Spring 2017, pp. 103-4; April
2017 Kenneth Armitage, The British Art Journal, vol. XVII no. 3, Spring 2017, pp. 100-1 (unsigned); April
2017 Jason Martin, The British Art Journal, vol. XVII no. 3, Spring 2017, p. 113; April
2017 Degas drawings family collection, The Jackdaw, no. 133, p. 30; May
2017 letter, The Jackdaw, no. 133, p. 28; May
2017 “Monstrous Perfection” (Raphael drawings), The Jackdaw, no. 134, pp. 16-7; July
2017 “Why Are Artists Poor?”, The Jackdaw, no. 134, pp. 8-10; July
2017 “The Unrepentant Painter” (Guido Cagnacci, Sebastiano del Piombo), The Jackdaw, no. 134, pp. 20-1; July
2017 Oriel Ceri Richards Gallery, The Jackdaw, no. 134, p. 37; July
2017 Edward Ardizzone, The Burlington Magazine, no. 1373 vol. CLIX, pp. 646-7; August
2017 George Fullard, The British Art Journal, vol. XVIII no. 1, summer, pp. 92-3; August
2017 David Jones, The British Art Journal, vol. XVIII no. 1, summer, pp. 94-5; August
2017 Ida John letters, The British Art Journal, vol. XVIII no. 1, summer, pp. 95-6; August
2017 Victor Pasmore, The British Art Journal, vol. XVIII no. 1, summer, pp. 98-9; August
2017* “New Order”, The Jackdaw, no. 135, pp. 6-10; September
2017 “Lost in Herefordshire” (Sidney Nolan, Canwood Gallery), The Jackdaw, no. 135, p. 23; September
2017 “Protean-rich Richter” (Gerhard Richter catalogue raisonné vol. 2), The Art Newspaper, no. 293, review p. 19; September
2017 Susan Point, Printmaking Today, vol. 26 no. 3, Autumn, pp. 40-1; September
2017* “Canon Fodder”, The Jackdaw, no. 136, pp. 16-8; November
2017 “Lost in Bologna” (Bolognese museums), The Jackdaw, no. 136, pp. 22-3; November
2017 “Cosmopolitan Realism in 1900” (Anders Zorn), The Jackdaw, no. 136, pp. 29-30; November
2017 Sidney Nolan, The British Art Journal, vol. XVIII no. 2, autumn, pp. 85-6; November
2017 Roger Hilton drawings, The British Art Journal, vol. XVIII no. 2, autumn, pp. 91-2; November
2017 Leonora Carrington, The Burlington Magazine, vol. CLIX, p. 1002; December
2018 “In Living Colour” (Monochrome and Soutine), The Jackdaw, no. 137, pp. 12-3; January
2018 John Golding, The Jackdaw, no. 137, p. 37; January
2018 Renoir, The Art Newspaper, no. 298, review, p.15; February
2018 “The Arab Nude”, The Jackdaw, no. 138, p. 18; March
2018 “de Chirico and the United Kingdom (c.1916-1978)”, The Jackdaw, no. 138, p. 19; March
2018 Bosch and Bruegel, The Jackdaw, no. 138, pp. 20; March
2018 “Depraved and Decadent Art” (Modigliani and Glenn Brown), The Jackdaw, no. 138, pp. 21-3; March
2018 Alexander Calder, The Art Newspaper, no. 299, review, p. 30; March
2018 “The Birth of Soviet Man”, The Salisbury Review, vol. 36 no. 3, Spring 2018, pp. 39-40; March
2018 Geoffrey Clarke, The British Art Journal, vol. XVIII no. 3, 108-9pp; Winter
2018 Francis Bacon Foundation, The Art Newspaper, no. 300, review; April
2018 “Picasso: Lush and Linear”, The Jackdaw, no. 139, p. 21; May
2018* “The Road to Reparation”, The Jackdaw, no. 139, pp. 18-20; May
2018 “Censorship in the UK”, The Jackdaw, no. 139, p. 10; May
2018 “Canon Fodder” (reprint), The Salisbury Review, vol. 36 no. 4, Summer 2018, pp. 52-4; June
2018 Brutalist architecture, The British Art Journal, vol. XIX no. 1, pp. 97-9; Spring
2018 William Coldstream, The British Art Journal, vol. XIX no. 1, pp. 107-8; Spring
2018 Rachel Whiteread, The British Art Journal, vol. XIX no. 1, pp. 114-5; Spring
2018 “A Question of Taste” (Musées Moreau and Zadkine), The Jackdaw, no. 140, pp. 11-2; July
2018 “Hate Speech Laws to Tighten?”, The Jackdaw, no. 140, p. 8; July
2018 “Tintoretto: Birth of a Genius”, The Jackdaw, no. 140, p. 18; July
2018 “Ten Rounds with Modernism” (John Rothenstein and P Moore Turner), The Jackdaw, no. 140, p. 20; July
2018 letter, The Jackdaw, no. 140, p. 35; July
2018 “Supports in Roman Marble Sculptures”, Sculpture Journal, vol. 27 no. 2, pp. 277-9; September
2018 “Poisoned by Welfare” (Thomas Sowell: Discrimination and Disparities), The Salisbury Review, vol. 37 no. 1, pp. 49-51, Autumn; September
2018 “Back in the USSR” (Socialist Realism), The Jackdaw, no. 141, pp. 16-7; September
2018 “Odd or Serious Art?” (Odd Nerdrum), The Jackdaw, no. 141, p. 20; September
2018 hate-speech news, The Jackdaw, no. 141, p. 10; September
2018 “Rik Wouters”, The Burlington Magazine, no. 160, pp. 803-4; September
2018 Alberto Giacometti, The Art Newspaper, date t.b.a.
2018 “What is Critical Theory? (And why should I care?)”, The Jackdaw, no. 142, p. 16; November
2018 “Quota Programming: Point of Origin”, The Jackdaw, no. 142, p. 8; November
2018 letter (Chelsea Manning & the ICA), The Jackdaw, no. 142, p. 9; November
2018 “EU Tightens Copyright Laws, The Jackdaw, no. 142, p. 38; November
2018 “The Peasant Bruegel”, The Jackdaw, no. 142, p. 20-1; November
2018 letter, The Jackdaw, no. 142, p. 27; November
2018 Charles Tunnicliffe, The British Art Journal, volume XIX no. 2, Autumn 2018, pp. 86-7; November
2018 Lee Miller, The British Art Journal, volume XIX no. 2, Autumn 2018, pp. 89-90; November
2018 John Constable, The British Art Journal, volume XIX no. 2, Autumn 2018, pp. 91-2; November
2018 Peter Lanyon, The British Art Journal, volume XIX no. 2, Autumn 2018, pp.91; November
2018 “Intellectual Anorexia” (The Coddling of the American Mind), Salisbury Review, Winter 2018, vol. 37 no. 2, p. 50-2; December
2019 letters, The Jackdaw, no. 143, p.8-11; January
2019 “New Women in Babylon Berlin” (Lotte Laserstein), The Jackdaw, no. 143, p. 16-7; January
2019 “Working for the Ministry of Truth”, The Jackdaw, no. 144, p. 10-1; March
2019* “The Deaccessioning Trap”, Artwatch UK Journal, pp.xx; date t.b.a.
2019 William Simmonds, Artwatch UK Journal, pp.xx; date t.b.a.
2019 “David Smith: Collected Writings”, Sculpture Journal, date t.b.a.
2019 “Mad as a March Hare” (Nietzsche biography), The Salisbury Review, Vol. 37 no. 3, pp. 43-5, Spring; March
2019 “Bonnard for Beginners”, The Salisbury Review, pp. 52-3, Spring; March
2019 Sir Hugh Lane, The British Art Journal, vol. XIX, no. 3, Winter 2018/Spring 2019, p. 125; March
2019 Lucian Freud, The British Art Journal, vol. XIX, no. 3, Winter 2018/Spring 2019, pp. 123-4; March
2019 “Scale and the Aztecs”, Sculpture Journal, pp. 139-141, vol. 28, no. 1; April
2019 “Tearing down the culture temples”, Standpoint, Issue 111, pp. 66; May
2019 “Dorothea Tanning”, The Jackdaw, no. 145, pp. 18-9; May
2019 “Artists as Political Tokens”, The Jackdaw, no. 145, pp. 19; May
2019 “Albert Irvin”, The Jackdaw, no. 145, p. 39; May
2019 Edvard Munch prints, Printmaking Today, Summer 2019, p. 39; June
2019 “The best of British junk”, Standpoint, Issue 112, p. 69; June
2019 Giorgio de Chirico, Arte Metafisica, no. xxx, p. xx; May
2019 “Stone Ugly”, The Salisbury Review, Vol. 37 no. 4, pp. 54-5, Summer; June
2019 “The Counterfeiters”, The Jackdaw, no. 146, p. 5; July
2019 “Tintoretto at 500”, The Jackdaw, no. 146, p. 18-9; July
2019 “Mysteries of the Domestic” (Edouard Vuillard), The Jackdaw, no. 146, p. 19; July
2019 “Comics plight no laughing matter”, Standpoint, issue 113, p. 61; July/August